We argue in this paper that unveiling of concepts is a viable means of promoting the growth of African languages in contemporary African studies. We show that African languages face serious threat of extinction due to neglect from their users and undue influence of colonial languages. We contend that the ratio of indigenous languages used as official languages compared to colonial languages is poor and despicable. The growth of African languages has been stunted due to the multilingual nature of African (...) continent. It has rendered the languages underdeveloped, thereby limiting their propagation and audience. We demonstrate how conversational thinking aids the growth of African languages and philosophy through conceptual articulation. Conversational thinking whose arumaristic approach aims at creating new thoughts and unveiling new concepts offers African philosophers a robust tool for expanding the vocabularies of African indigenous languages by creating concepts from underexplored African traditional wisdom and clichés. (shrink)

Preoperative informed consent is a legal and ethical requirement that ensures patients understand a procedure, its associated risks and benefits, alternative treatment options, and potential complications to make an informed decision about their care. This cross‐sectional study evaluated the informed consent process for major orthopaedic surgeries at a tertiary hospital in Nigeria. A self‐administered questionnaire was used to collect data from 120 adult participants. Results showed that many patients do not read the consent form before signing it, and surgeons do (...) not adequately explain the alternatives to surgery, potential risks, and available anaesthetic options. Higher‐educated patients are more likely to read the consent form. Surgeons performed well in explaining the nature of the condition and prognosis, the procedure's potential benefits, and answering patients' questions. The study emphasises the need to improve the informed consent process to ensure patients understand and can make rational decisions about their healthcare. (shrink)

This study investigates the differences in the way bribery and extortion is perceived by two different cultures — American and Nigerian. Two hundred and forty American business students and one hundred and eighty Nigerian business students were presented with three scenarios describing a businessman offering a bribe to a government official and three scenarios describing a businessman being forced to pay a bribe to an official in order to do business. The Reidenbach-Robin instrument was used to measure the ethical reactions (...) of the two samples to these scenarios. Results indicate that ethical reactions to bribery and extortion vary by (a) the nationality of the person offering the bribe, and (b) the country where the bribe is offered. In addition, Nigerians perceived some of the scenarios as being less unethical than did Americans. (shrink)

This study investigates the differences in ethical beliefs between blacks and whites in the United States. Two hundred and thirty four white students and two hundred and fifty five black students were presented with two scenarios and given the Reidenbach-Robin instrument measuring their ethical reactions to the scenarios.Contrary to previous research, the results indicate that the two groups, which belong to different subcultures, have similar ethical beliefs.

Neptunus et Apollo dicuntur Troiam muro cinxisse; his rex Laomedon uouit quod regno suo pecoris eo anno natum esset immolaturum. id uotum auaritia fefellit. alii dicunt †parum eum promisisse. The story that Neptune and Apollo together built the walls of Troy for Laomedon is well known from Homer. At the end of their year's service the perfidious king refused to pay the agreed wages. Ovid tells the familiar story in one of his transitional sections in the Metamorphoses. Hyginus' account (...) poses the textual problem indicated above. H. I. Rose comments on ‘parum’ as follows: ‘procul dubio corruptum hoc neque arridet Schmidtii coniectura promsisse. fuitne partum equarum? hoc enim plerumque narratur, equos quos a Ioue accepisset promisisse Laomedontem mercedis nomine…sed Herculi; quod facile ad deos mercennarios transferri potuit; atque non equos sed equas fuisse tradit Apollod. II, 104’. Rose rightly rejects Schmidt's emendation ‘promsisse’. ‘Promisisse’ has every sign of soundness and the difficulty lies, as Rose sees, with ‘parum’. Rose's own conjecture ‘partum equarum’, however, will not do. Apart from the oddity of the expression, one would need a good deal more persuasion than Rose offers to accept that the well-known promise of Zeus' horses which Laomedon made to Hercules was transferred from Hercules to Neptune and Apollo. There is no suggestion anywhere in the sources that Laomedon promised to give Neptune and Apollo the famous horses as payment for building the walls. (shrink)

Neptunus et Apollo dicuntur Troiam muro cinxisse; his rex Laomedon uouit quod regno suo pecoris eo anno natum esset immolaturum. id uotum auaritia fefellit. alii dicunt †parum eum promisisse. The story that Neptune and Apollo together built the walls of Troy for Laomedon is well known from Homer. At the end of their year's service the perfidious king refused to pay the agreed wages. Ovid tells the familiar story in one of his transitional sections in the Metamorphoses. Hyginus' account (...) poses the textual problem indicated above. H. I. Rose comments on ‘parum’ as follows: ‘procul dubio corruptum hoc neque arridet Schmidtii coniectura promsisse. fuitne partum equarum? hoc enim plerumque narratur, equos quos a Ioue accepisset promisisse Laomedontem mercedis nomine…sed Herculi; quod facile ad deos mercennarios transferri potuit; atque non equos sed equas fuisse tradit Apollod. II, 104’. Rose rightly rejects Schmidt's emendation ‘promsisse’. ‘Promisisse’ has every sign of soundness and the difficulty lies, as Rose sees, with ‘parum’. Rose's own conjecture ‘partum equarum’, however, will not do. Apart from the oddity of the expression, one would need a good deal more persuasion than Rose offers to accept that the well-known promise of Zeus' horses which Laomedon made to Hercules was transferred from Hercules to Neptune and Apollo. There is no suggestion anywhere in the sources that Laomedon promised to give Neptune and Apollo the famous horses as payment for building the walls. (shrink)

That a considerable fragment of the Fabulae of Hyginus—whoever Hyginus may have been and whenever he lived—exists in a Greek translation in the Hermeneumata Leidensia is well known to all students of his work. Indeed, this extract furnishes the terminus ante quem for Hyginus’ date in its opening words; I cite it as accented and punctuated by Schmidt : Maξμѱ ka “Aπρ v´πáτoιs πρò у εδν ΣεπTεμβρων ‘Ỵуνoυ уενεaλoуaν πâσιν уνωστν μετуραΨα, ν σoνται π λεoν στoρατ δτερμνευνατ (...) ν τoτ τ βιβλ θεν уàρ kα θεáων νματα ν δευτρ ξεπλξαμεν λ’ π τoτ σoνται τoτων ξμуσεισ, ε kα μ πσαι, ττων μντoιуε ν τoστ δναμαι. (shrink)

Levinas se kljub številnim antičnim mitološkim in širšim literarnim reminiscencam in kljub svoji zakoreninjenosti v judovskem duhovnem izročilu vedno znova vrača k izražanju, ki bi lahko doseglo vsakega človeka in ki bi bilo torej v tem smislu univerzalno, ker bi ga bilo mogoče izraziti z razumsko opredeljivimi pojmi. To pa ne pomeni, da bi želel omejiti filozofijo na golo formo logičnih kategorij in jo prikrajšati za njeno pravico do legitimnih vprašanj, ki od samih izvorov dalje ostajajo srčika filozofije v njenem (...) etimološkem pomenu, torej ljubezni do modrosti, ki je veliko več kot samo razum. Ali še bolje – Levinas bo širil polje razuma z novo pojmovnostjo, a njegova modrost ostaja še vedno razumna. V kakšnem smislu pa gre pri Levinasu za »drugačno razumost«, je mogoče odkrivati le postopoma, skozi plasti njegovega »palimpsesta«. (shrink)

A sequential reading of Horace’s Odes shows that the Pyrrha poem is connected with various others by means of subject matter, structure, choice of words, and metre. In the centre of this complex of allusions we find the figure of Achilles in the transvestite disguise he used to hide on the island of Scyrus, where, according to Hyginus, he was known by the name of Pyrrha. In the epic tradition, Scyrus seems to have been counted among the Cycladic Isles, (...) while at the same time, that particular episode in the hero’s life belongs to the period narrated in the epic cycle. Through this connection, the Scyrian Achilles may shed light on the meaning of Horace’s warning against travelling the sea that extends between the Cyclades in ode 1. 14, the first ode written in the same metre as 1. 5. In the final part of the article, Horace’s allusive technique, described by him in metaphors of weaving and spinning, is compared to the modern concept of the leitmotif. (shrink)

The Corpus agrimensorum Romanorum is a compilation of treatises on land-surveying which has been passed down to us in a manuscript from the sixth century AD. The best known authors included are Frontinus, Hyginus gromaticus and Siculus Flaccus. This paper addresses 11 passages in the corpus which discuss the origins of technical terms used in the text. Analysis of the content, language and style of these etymologies shows that they are later additions, which mostly originate from Varro, and should (...) be deleted. It is also shown that, on palaeographic grounds, the order of a large body of text as found in modern editions must be reconsidered. (shrink)

Right after the presentation of Hyginus’s fable in §42 of Being and Time comes a note in which Heidegger affirms that the orientation about care as the being of Dasein (§41) arose in the context of the interpretation of Augustinian anthropology and the foundations obtained by the analysis of Aristotelian ontology. Why such a mention and why is it placed precisely after proving the pre-ontological origin of care as the being of Dasein? Assuming such problem, this paper does not (...) aim only at offering a reading key that justifies such note, but at presenting the importance of the factical and pre-ontological aspects presented, respectively, in Book X of The Confessions of Augustine and in the fable of Hyginus for Heidegger's elaboration of care as an ontological category. For this purpose, three lecture courses will be assumed, especially: Augustine and Neo-Platonism (1921), which will make it possible to perceive the always factical aspect of care, thus evidencing the historical enactment perspective of the hermeneutics of facticity; Phenomenological Interpretations of Aristotle (1921/1922), which will make it possible to understand the idea of “ontological category” as a first formulation of what, in Being and Time, will be the existentials; and History of the concept of time: prolegomena (1925), which will allow us to realize that care is about being and not having, therefore, that it is not a possession of Dasein, but a condition of its existence. Finally, after justifying the importance of different aspects for care as an ontological category, it will be understood why the ontological interpretation differs from both others. (shrink)

V tekstu zagovarjam tezo, da zakonski stavki v neki teoriji posedujejo posebno zvrst sploänosti. Zakonski stavki merijo vedno na celoto sveta in se jih zato ne da neakcidentalno omejiti na kakšno regijo ali na kak omejen modus bivanja. So občutljivi na celoto sveta, ne pa na dejanskost. Odtod izhaja kontrafaktična veljava zakonskih stavkov. Stavki naravnih zakonov pa so tisti zakonski stavki neke naravoslovne teorije, ki se uspejo v modificirani obliki ohraniti v vseh transformacijah teorije.

These H, British Library Harl. 647, was written in Lorraine but crossed before AD 1000 to England, where it later belonged to St. Augustine's Canterbury; Cicero's verses in minuscule occupy the foot of each page, and the rest is given over to the appropriate illustration, painted only at the extremities and filled out to the requisite shape with scholia from Hyginus in small capitals. D, Dresden Dc 183, left France not before 1573; illustrations and scholia occur only in a (...) preceding work, the scholia Sangermanensia. (shrink)

This article explores an issue of some ongoing controversy in Ovidian scholarship: the identity of the anonymous person addressed in the epilogue of the “Tristia”’s third book. The exploration combines an analysis of the text with an examination of salient aspects of Hellenistic and Roman literary culture. These in turn inform a systematic prosopographical reassessment of four hypotheses. Evidence converges in the conclusion that the addressee was likely a high-level library administrator, most probably C. Iulius Hyginus.

These H, British Library Harl. 647, was written in Lorraine but crossed before AD 1000 to England, where it later belonged to St. Augustine's Canterbury; Cicero's verses in minuscule occupy the foot of each page, and the rest is given over to the appropriate illustration, painted only at the extremities and filled out to the requisite shape with scholia from Hyginus in small capitals. D, Dresden Dc 183, left France not before 1573; illustrations and scholia occur only in a (...) preceding work, the scholia Sangermanensia. (shrink)

Professor Housman states that stella never is used to mean sidus, and for authors of the best age I believe he is right; at least I know of no examples except those which he convincingly explains away in the article quoted. There seem, however, to be instances of this usage perhaps as early as the age of the Antonines. Hyginus, fab. cxcv, says of Orion, ab Ioue in stellarum numenim est relatus, quam stellam Orionem uocant. Again, fab. ccxxiv, Crotos…in (...) stellam Sagittarium. Hyginus, it is true, was a fool, and his book is crammed with mistakes, including astronomical blunders; thus, just after the last-quoted passage, and also in fab. cxxx, he names the star Arcturus when he means the constellation Arctophylax, or Bootes. But I cannot think him quite so grossly ignorant, since he was interested in star-myths, as not to know that Orion and Sagittarius are constellations. It may be, however, that the use of stella in these passages is due, not to Hyginus himself, but to the epitomators whose extracts from the original work are all that has come down to us. Of these gentry I can believe almost anything that implies false Latin or general ignorance. (shrink)

This article deals with a mosaic from ancient Zeugma on the Euphrates found in 2002 and recently published with interpretive commentary. Its subject is the story of Theonoe and Leukippe preserved only in Hyginus and nowhere in Greek. Despite this, the authors argue that the myth, in its unique form, can for over one thousand years be connected with romance, mime, pantomime, tragedy and derives ultimately from early Cretan rituals of transvestism. Its immediate inspiration however is imperial pantomime along (...) with the transvestism notorious in that genre, as can be argued from the layout of the mosaic and the iconography of Theonoe, our first clear picture of a pantomime. But the main thrust of the article, especially in appendix B, is to demonstrate that the Hyginus story must now be considered to represent the plot of a lost tragedy, which derived many of its elements from late Euripides, but in its over-enthusiasic use of these represents a post-Euripidean artificially complex plot-type, for which hitherto we had limited evidence. (shrink)

We know of several Greek translators of works originally written in Latin. Of non-Christian, purely literary material, we know of six. First, there is Claudius' powerful freedman, Polybius, who turned Homer into Latin prose and Vergil into Greek prose. Then, under Hadrian we have Zenobius ‘the sophist’, who translates Sallust'sHistoriesand “so-called Wars’. The translation into Greek of Hyginus' Fabulae can be dated precisely, for its unknown author tells us that he copied it up on 11th September 207. Similarly, the (...) extant translation of Eutropius'Breviariumby Paianios, probably a pupil of Libanius, can be dated securely to about 380. The translation of the same by Capito, which survives in excerpts, is placed with some confidence at the beginning of the sixth century. The date and identity of the last of our translators, ‘Arrian the epic poet’, who rendered theGeorgicsof Vergil, is unclear. (shrink)